If it wasn't for the Dutch optician Hans Lipperhey, we might not have had either binoculars or opera glasses today. He first started manufacturing simple binoculars in 1608. These were not much more than two telescopes connected by a central bridge, but they led to many further modifications and improvements. His early binoculars had a magnification capability of x3. Within less than a year the Italian mathematician and inventor Galileo Galilee made another drastic stride forward by increasing the magnification ability of telescopes to x30.
Initially binoculars had one major drawback: Although they allowed for a much wider field of view, they used two convex lenses, which inverted the image! It took more than 100 years for the next major step forward: in 1617 Anton Schyrle constructed binoculars with an additional lens that re-inverted the image. More than--0 years later a certain John Dollond of England started manufacturing achromatic (color-free) lenses and with that solve another problem bugging binoculars - that of color distortion.
Another major step forward was the development of prismatic binoculars by an Italian by the name of Ignazio Porro - a gunnery officer. Prismatic binoculars had a much wider field of vision than before and offered dramatically improved magnification abilities as well.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
We find references to binocular opera glasses for the first time in Vienna during 23. They were still really not much more than two tiny telescopes connected by a bridge. You had to focus the telescopes individually by expanding the tubes.
These very soon became as much a fashion item as an optical instrument. The designs became more elaborate and had to be worked on by painters, goldsmiths and other artists to create the ultimate fashion accessory. Theater goers not only used this to watch the stage, but also to scrutinize other people in the audience - presumably to see who else had opera glasses!
The design was further improved substantially when it became possible to adjust both lenses at the same time using a small wheel in the center. This made opera glasses even more popular and soon everyone who was anyone had to have one. They were highly regarded as gifts - as one can clearly see when you study the inscriptions on many of these glasses dating back to the 17th century.
Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience!
Initially binoculars had one major drawback: Although they allowed for a much wider field of view, they used two convex lenses, which inverted the image! It took more than 100 years for the next major step forward: in 1617 Anton Schyrle constructed binoculars with an additional lens that re-inverted the image. More than--0 years later a certain John Dollond of England started manufacturing achromatic (color-free) lenses and with that solve another problem bugging binoculars - that of color distortion.
Another major step forward was the development of prismatic binoculars by an Italian by the name of Ignazio Porro - a gunnery officer. Prismatic binoculars had a much wider field of vision than before and offered dramatically improved magnification abilities as well.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
We find references to binocular opera glasses for the first time in Vienna during 23. They were still really not much more than two tiny telescopes connected by a bridge. You had to focus the telescopes individually by expanding the tubes.
These very soon became as much a fashion item as an optical instrument. The designs became more elaborate and had to be worked on by painters, goldsmiths and other artists to create the ultimate fashion accessory. Theater goers not only used this to watch the stage, but also to scrutinize other people in the audience - presumably to see who else had opera glasses!
The design was further improved substantially when it became possible to adjust both lenses at the same time using a small wheel in the center. This made opera glasses even more popular and soon everyone who was anyone had to have one. They were highly regarded as gifts - as one can clearly see when you study the inscriptions on many of these glasses dating back to the 17th century.
Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience!
About the Author:
Jeff B. has always loved the theater and opera, he currently helps run an opera glasses retail site where they sell opera glasses. Including Opera Glasses with handle, flashlight, chain and more!
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