So This Is Christmas

Merry Christmas is such an infectious feeling I like to feel that way all year around.

So if you are visiting just before Christmas, just after Christmas or even here on Christmas day I am sure you will find something of interest for you and in the spirit of Christmas.

It may be said that Christmas is no longer a celebration but this must be spoken by people that have never had trouble closing their eyes on Christmas Eve in an expectation of what maybe left for them on the carpet under the tree.

I continue to look forward to the surprise on my Grandchild's faces to this day at Christmas events.

Merry Christmas - Merry Christmas - Merry Christmas

Sunday, December 27, 2009

Chicago's Pump Room Restaurant Jumping Once Again

By Ross Everett

The venerable Pump Room Restaurant in Chicago is once again a beacon of civilized living. Famously memorialized in the Frank Sinatra song 'Chicago', the 'jumping Pump Room' was one of the first true fine dining establishments to open in the Windy City at the end of Prohibition. Almost immediately, it became a favorite of celebrities including the biggest stars in entertainment history--Frank Sinatra, Sammy Davis, Jr, Jackie Gleason, Dean Martin, Clark Gable, Humphrey Bogart, Ronald Reagan and Marilyn Monroe is just a very small list of the icons that made it a regular hangout. In the later part of the 20th century, however, it sort of fell off the map as a new wave of gourmet restaurants in the Windy City led by Charlie Trotter reduced it to a historical footnote.

Ernie Blyfield opened the Pump Room in the Ambassador East Hotel in late'38. He took the name from an'th century London pub favored by celebrities and nobility, including Queen Anne. The original pub got its name from the hot drinks pumped into the cocktails of its stylish clientele.

Blyfied's Chicago Pump Room took off immediately, and its most sought after table--'Booth 1' may have been the most desired spot of any dining establishment in the country for a time. Booth 1 was occupied by Sinatra and cronies like Jilly Rizzo, Judy Garland and daughter Liza Minnelli, Clark Gable, John Barrymore as well as Humphrey Bogart and Lauren Bacall.

After Blyfield's death in'50, the Pump Room lived on as a Chicago hot spot and welcomed a new era of big names including Mel Brooks, Paul Newman, Robert Redford and Eddie Murphy. One of the most famous stories surrounding the club involves former Genesis drummer Phil Collins, who was refused entry for not wearing a jacket. This inspired the title of his next album 'No Jacket Required' which has sold over-- million copies worldwide and established Collins as a solo superstar. Following its release, the Pump Room sent Collins an apology--and an appropriate jacket for him to wear on his next visit.

Since being purchased by the Dallas Restaurant Group in the late'90s, things are hopping again, however. With the extremely talented chef Martial Noguier at the helm (who has worked in the kitchen of a number of Frances most renown chefs), and a $2 million dollar restoration of the facilities, the Pump Room is back among the rarefied heights of Chicagos best restaurants. Though the flaming food served on a sword that was the Pump Room trademark during its golden era is sadly absent (due to city fire codes), the menu is now up to snuff serving Noguiers sophisticated interpretation of classic American cuisine. In addition to the revamped cuisine, the Pump Room upgraded its wine offering and expanded the bar area.

Current Executive Chef Nick Sutton has continued the restaurant's tradition of excellence. The big draw of the Pump Room, however, remains the amazing sense of history that the dining room offers. The realization that a who's who of civilized American culture from Bogart and Clark Gable to Sinatra and Jackie Gleason broke bread in the room is a pretty amazing vibe. The good news is that the Pump Room again offers the quality of food and service worthy of such icons, and is a victory for culinary excellence amid the national infestation of mediocre chain restaurants.

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